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Subaltern Confessions II: Modes of Representation of Collaboration and Guilt Post-Dictatorship Novels in Argentina

Authors

  • Macarena Areco Morales Pontificia Universidad Católica de Chile
No. 6 (2016): Abril
https://doi.org/10.5354/0719-4862.2016.40101

Abstract

In this article I analyze the novels El fin de la historia (1996) by Liliana Heker, La mujer en cuestión (2003) by María Teresa Andruetto and Una muchacha muy bella by Julián López (2013), in order to study on the imaginary division of guilt in the context of the last military dictatorship in Argentina. Experimentalism, the objectivity of the report, and aestheticism are ways of representation which I distinguish in these works.

Keywords:

social imaginaries, subjectivity, dictatorship, post-dictatorship, recent Argentine narratives

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How to Cite
Areco Morales, M. (2016). Subaltern Confessions II: Modes of Representation of Collaboration and Guilt Post-Dictatorship Novels in Argentina. Meridional. Revista Chilena De Estudios Latinoamericanos, (6), pp. 113–136. https://doi.org/10.5354/0719-4862.2016.40101
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Meridional. Revista Chilena de Estudios Latinoamericanos
Facultad de Filosofía y Humanidades
Universidad de Chile
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